What do we expect from antifascism today in the face of the contemporary rise of fascism? Can it live through the stubbornness of artistic and activist practices dispersed across societies that are slowly being transformed by new authoritarian and militarist governments? Or must we renew our understanding of antifascism as a political ideology capable of both unifying an ethos and coordinating political action across dance and activism? How might the know-how of choreography, performance, and activism—through collaboration, self-organized communities, and allyship—move us toward antifascist “world-making,” through the gestures of bodies, the force of collective action, and the everyday practices of resistance?

What do we expect from antifascism today in the face of the contemporary rise of fascism? Can it live through the stubbornness of artistic and activist practices dispersed across societies that are slowly being transformed by new authoritarian and militarist governments?

But also...

Or must we renew our understanding of antifascism as a political ideology capable of both unifying an ethos and coordinating political action across dance and activism? How might the know-how of choreography, performance, and activism—through collaboration, self-organized communities, and allyship—move us toward antifascist “world-making,” through the gestures of bodies, the force of collective action, and the everyday practices of resistance?

Watch on Vimeo

What do we expect from antifascism today in the face of the contemporary rise of fascism? Can it live through the stubbornness of artistic and activist practices dispersed across societies that are slowly being transformed by new authoritarian and militarist governments? Or must we renew our understanding of antifascism as a political ideology capable of both unifying an ethos and coordinating political action across dance and activism? How might the know-how of choreography, performance, and activism—through collaboration, self-organized communities, and allyship—move us toward antifascist “world-making,” through the gestures of bodies, the force of collective action, and the everyday practices of resistance?